Tuesday, November 30, 2010

Lea Michele and Chris Colfer Tackle Evita: You Must Love Them?

colfer225.jpg “Don’t Cry For Me Argentina” is a Patti LuPone classic, a Madonna career-changer, a standard of the American stage, and now… yet another symbol of Rachel Berry’s haughty elitism. Yep, Glee, Lea Michele, and — strangely — Chris Colfer are attacking Andrew Lloyd Webber’s salute to Eva Peron, and the audio is ready for your constructive criticism and/or scoffs and/or LGBT sympathies.

I take it the awkwardly overlapped vocals are justified in the episode, because they’re a little jarring as is. Otherwise? It’s a cute cover. I’ve railed against Glee in the past, but I think its showtune renditions are often novel. Retooling stage standards for a pop audience is an excellent idea, and a much better one than re-recording Billboard singles with watered-down Kidz Bop vocals. You’ll remember that the show couldn’t add any chutzpah to Madonna’s dance hits, but here, Ryan Murphy’s henchmen infuse the Material Girl’s big Broadway ballad with youthful (and believable) earnestness.

What do you think? Should Glee always stick to the stage? Or should it continue adding T-Painful AutoTune to radio jams?

Glee (Rachel & Kurt): ‘Don’t Cry For Me Argentina’ [YouTube]

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'Take This With You:' Movieline Remembers the Career of Leslie Nielsen

· If you have 14 minutes to spare, spend them remembering Leslie Nielsen with this comprehensive montage from the master of deadpan’s sixty-year career. So long, friend.

· Daniel Radcliffe is 99.9 percent sure that he will never star in another Harry Potter film. [Access Hollywood]

· Eliza Dushku will star in Mike Robe’s TNT pilot Bird Dog about a father-daughter detective team in New York City. [Deadline]

· A casting director for Peter Jackson’s adaptations of The Hobbit was let go after showing preference for extras with “light skin tones.” Really. [ArtsBeat]

· Anderson Cooper will be your next daytime talk star. Warner Bros. Television announced today that the CNN anchor has already secured distribution in New York, Los Angeles, Chicago and Boston. [The Wrap]

· Police raided the Deadliest Catch boat earlier this month in response to Captain Derek Ray’s allegation that Jake Harrison — son of the late Captain Phil Harris — was abusing prescription drugs. [TMZ]

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The Seven Things To Do When Your China IP Has Been Compromised.

Stan Abrams over at China Hearsay just did an excellent how-to post entitled, "Pirates Beware! Gearing Up for the China IP Enforcement Lecture." The post does a great job explaining how to handle a China IP problem, though the steps it sets out would pretty much work fine for just about any legal issue needing resolution. As Stan puts it, a China IP problem is, at least from a lawyer's perspective, "just another problem to solve, and not unlike a typical foreign investment case, or a trade dispute, or a commercial transaction." ?

Stan advocates the following seven step method for dealing with a China IP problems:?

  1. Identify the actual problem. ?Slightly more complicated than it sounds. Yes, in most cases, we are dealing with IP infringement. But you have to drill down to determine the actual facts, not what your staff/suppliers/distributors tell you is going on out there in the marketplace. Sometimes this involves getting professional investigation help. After a little more digging, you might be surprised to learn that the good, or bad, news obviates the need for a full-blown enforcement action.
  2. Determine the goals of the IP owner.?This has to be done quite early, but after the pertinent facts are learned. Some client goals are based on faulty intelligence or unrealistic expectations. Usually here we are talking about a combination of “stop the infringement” and “get compensation,” but others are possible, including moving the parties towards a transaction like a license, assignment, or acquisition. Needless to say, you not only need to learn about goals, but to at least do a quick and dirty hierarchical list of what is desired, acceptable, tolerable, and unacceptable.
  3. Identify and evaluate the IP.?Sometimes that “IP infringement” is non-actionable unfair competition, meaning that one firm is copying something of another firm, but there is no IP involved that can be protected, and the facts are insufficient to back up an unfair competition theory. Unless you know what you own, you’ve got nothing. That being said, this knowledge can lead to some mitigation work, such as registration of IP. However, based on my experience, if you learn at this stage that your “IP” is actually nothing, you’re pretty much screwed.
  4. Know your enemy.?Again, probably time to find an investigator. Depending on who the infringer(s) is(are), your case might be dead on arrival. And by the way, I am not necessarily talking about facing a huge, powerful State-owned Enterprise; you might have even more trouble with a bunch of tiny, fly by night operators that are difficult to track down. Either way, no one needs to waste time and money tilting at windmills, so figuring out as early as possible whether your opponent is vulnerable (from a legal perspective) is key.
  5. Isolate your legal options.?At this point, one should be able to cross quite a few options off the list, both in terms of legal theory (e.g. unfair competition, trademark infringement) and dispute resolution. As with other points along the way, sometimes the answer is that there is no viable winning strategy. If that’s the case, hopefully you will not have to deal with a client in denial who insists on the “just do something” futility gambit. Stay away from those guys.
  6. Formulate strategy.?Based on the available options, a strategy has to be put into place with fallback options, if possible; note that the plan might include parallel actions. This strategy, along with its (realistic) budget, needs to be signed off on by all the stakeholders, preferably by senior management like a Board of Directors. The last thing you want is to have your marching orders yanked away just when you’re getting somewhere.
  7. Implementation.?In practice, implementation usually means getting experts involved, including (yes, again) investigators, local IP agents, local government, etc. If you’re a foreign lawyer, you always have to get local experts involved, since you are legally not allowed to go into court, apply for an administrative action, etc.

I completely agree with every item on this list and would like to expound a bit more on some of them.

What I find interesting about this list is how well Stan has broken down the various elements. Had I written it, I might very well have conflated 1-5 by describing them as figuring out what is going on, figuring out what you want to accomplish, and figuring out what you can do to achieve what you want to accomplish. Do you have a strong case and one that is worth pursuing??

The "know your enemy" step is of far greater importance than I think many people realize as that can have a tremendous impact on how you choose to proceed. When companies have learned of IP infringement, their initial reaction is usually "let's make them stop and sue the bastards for millions of dollars for what they have already done and let's let the world know that we are not a company to be messed with." And they usually say this as though these goals all fit together perfectly and can be achieved in a few months time. They don't and they can't.

If the company that "stole" your IP is a "fly by night operator" there usually is simply no point in suing that company for millions of dollars that it does not have. There oftentimes is simply no point in suing the legitimate company either, particularly where your case is marginal. If you sue the legitimate company on a marginal case, it may decide it needs to fight you really hard to show the public that it was not violating any IP laws and to show that it too is "not a company to be messed with." I have actually had shockingly good success by writing a quasi- cease and desist letter, pointing out what we believe to be the errors of the legitimate company's ways, giving them a "chance to explain," and seeking to convince them that they would be better off changing things so there can be no questions regarding their conduct. Most of the time, they write back saying that they didn't know of our company's IP, that they do not think they have engaged in any IP violation, but that they will do such and such to make sure there are no future issues.?

How do you handle such your China IP infringement matters?

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Winter's Bone Wins at Gotham Awards, Plus a Few Curveballs

wintersbone_rev_1.jpgWinter’s Bone made a serious bid to hang on to it’s Best Picture nomination in Movieline’s Oscar Index at last night’s Gotham Awards, taking home two awards including Best Feature. On the other hand, Best Documentary winner The Oath probably won’t make much Oscar headway, since it wasn’t even shortlisted. Check out the full list of winners and a rundown of the upsets in what was actually a fairly unpredictable awards show after the jump.

The consensus was that this year’s ceremony was an even more star-studded one than the last with celebrities like Natalie Portman, Bill Murray and Paul Rudd in attendance. Stanley Tucci and Patrica Clarkson made for very classy hosts, and there were a a ton of tributes.

But yes, onto the upsets: Ronald Bronstein took home the Breakthrough Performance award for Daddy Longlegs, beating out Winter’s Bone actress Jennifer Lawrence, who was favored to win. Honestly though, Bronstein was phenomenal and I suspect those who saw the film will agree that he was equally deserving. Also, Holy Rollers director Kevin Asch beat out the favored Tiny Furniture director and Judd Apatow protege Lena Dunham for Breakthrough Director.

And audiences voiced complete indifference for recent Waiting For Superman critical takedowns, awarding it the new Festival Genius Award via online voting. Congratulations to all of the winners:

Best Feature
Winter’s Bone

Best Documentary
The Oath

Best Ensemble Performance
Winter’s Bone

Breakthrough Director
Kevin Asch, Holy Rollers

Breakthrough Actor
Ronald Bronstein, Daddy Longlegs

Best Film Not Playing at a Theater Near You
Littlerock

Festival Genius Audience Award
Waiting For ‘Superman

·Gotham Awards 2010: Minute By Minute [Indiewire]
·Winter’s Bone Tops Surprising Gotham Awards [Moviefone]

Tagged: Bill Murray, Daddy Longlegs, Gotham Awards, IFP, Judd Apatow, Lena Dunham, Little Rock, Natalie Portman, Oscars, Oscars 2010, Paul Rudd, The Oath, Waiting For Superman, Winter's Bone

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Monday, November 29, 2010

Naked Gun Actor Leslie Nielsen Dead at 84

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Sad news for people who like to laugh: Actor Leslie Nielsen of Naked Gun and Airplane! fame of has died of complications from pneumonia at the age of 84. For my money, there’s no better showcase of Nielsen’s deadpan comic timing and deft slapstick ability than this montage of epilogues from Police Squad!, in which Nielsen fakes a freeze frame at the end of every episode. Check them out along with a reminder of Nielsen’s non-comedy work after the jump.

Many forget that Nielsen first made his name playing serious roles in films like Forbidden Planet and The Poseidon Adventure. He was also one of the best performers in George Romero’s horror anthology Creepshow. The clip below doesn’t play quite as well out of context, but his break into hysterics at the end is something to cherish nonetheless. It’s mildly NSFW in an ocean-zombie type of way…

[The Hollywood Reporter]

Tagged: Airplane!, Creepshow, Forbidden Planet, Leslie Nielsen, Naked Gun, Police Squad!, The Poseidon Adventure

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Twilight Lover James Franco Incites Mass Hysteria At Actor's Studio

112810_ml_jamesfranco_544.jpgIt appears that in between curating art shows, attending classes, finishing up work on his Three’s Company reboot and a very busy self-pleasure schedule, James Franco was able to sneak away for a taping of Inside the Actor’s Studio — and the audience was out of control. Screaming women, hundreds of rejected fans and one overworked guest who would have likely just slept through the entire presentation were he in the audience.

Franco, the Robert Pattinson for twentysomethings, was by all accounts one of the best guests to ever appear on the show. In addition to no doubt being his charming and affable self, the writer / actor / professional graduate student stayed an extra hour-and-a-half to speak with every student and fan in the joint, something that had not been done since first guest Paul Newman in 1994. Among the Franco-philes were a large number of women whose screams were so loud the regal James Lipton remarked, “17 years filming this show and I’ve never heard a sound like that before.”

It is unknown when the episode will air but don’t worry if you miss it, Franco likely has an avant-garde recreation of the experience in the works as we speak.

[ TMZ ]

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Kristen Stewart, Emma Watson And Three Other Actors Who Could Replace Emma Stone In 21 Jump Street

112810_key_art_21_jump_street.jpgEmma Stone recently announced that due to her involvement as a web-slinger’s love interest in the forthcoming Spiderman she would be unable to join the cast of Jonah Hill’s 21 Jump Street remake. Now, it’s hard to be sure if the red-headed upstart is really jumping ship to play Peter Parker’s non-red-headed gal or if she just happened to catch The A-Team OnDemand, but here are five other actors that would make the perfect Officer Judy Hoffs. It’s time to go back to school kids.

112810_kristen-stewart.jpgKristen Stewart: This is a girl who would make a great undercover high school student any day of the week. She fidgets, she has ticks, her facial expressions are at times baffling and she never stops playing with her hair. Added bonus, this little lady proved she could handle a motorcycle in that independent vampire series.

112810_emma-watson_1.jpgEmma Watson: Unlike every other actor her age this girl actually went to school, in fact she is still in school. That Brown University education will have her acing every exam while still managing to pull down the bad guys Hermione Granger style.

112810_kristin-chenoweth.jpgKristin Chenoweth: If anything, this singing siren may have to stretch to look old enough to play a high school student. She did prove in Glee however that she can hang with the bad boys and handle her liquor so who better to help clean up some out of control teens?

112810_holly-robinson-peete.jpgHolly Robinson Peete: This woman has yet to age so why not have her reprise the role. Since her Jump Street days she hasn’t done much other than hang with Mr. Cooper and Mr. Trump, so a comeback is definitely in the cards. Unless…

112810_johnny-depp1.jpgJohnny Depp: Remake role reversal. Show us what you got Johnny.

[ MTV Movies Blog ]

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97% Of Chinese Want To Live In The United States. Is This Really True?

The Globalist is out with an article, entitled, "The American Dream Is Alive and Well…In China," stating that "we heard that if U.S. immigration policies allowed it, 97% of the Chinese people would probably want to move to the United States." (h/t China Challenges) ?

I talked a bit about this previously in a post entitled, "Representing Chinese Companies. I See Some Light:"

Many of the Chinese companies that seek to hire us for one thing (let's say, forming a US company) really have another goal in mind (let's say getting visas for their families and getting their kids into U.S. schools). They do not tell us of their real goals until we are way into the project.

And again in "The Chinese Are Coming, Part XII. To A Public School Near You":

My own experiences have forced me to add an additional reason: sending kids to United States public elementary schools. Not kidding.

I should have realized this sooner, because this has been true of many of my firm's Russian and Korean clients for many years.

At least half the time, my meetings with Chinese companies looking to come to the United States devolve into a conversation as to whether it is really true that they will immediately be able to get their five year old kid (yes, the kid is usually five years old!) into a top neighborhood school for free. I swear that our saying "yes" to that question triples the chances of some sort of transaction going through.

The United States and Canada are the number one and two most desired countries for people from Asia, according to this recent Gallup survey. (h/t Global Small Business Blog) The reason the US scores so well is "opportunity," including for children, which translates into education.

UPDATE: Shanghaiist did a post, entitled, "Special delivery: mainland mothers heading to US to give birth," on how wealthy Chinese mothers-to-be are hopping on airplanes to the United States so their kids can attain United States citizenship by being born there.

But still, 97%. Can that really be? What do you think? 97%, real or made-up out of whole cloth?

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Sunday, November 28, 2010

Leonardo DiCaprio Earns The Respect Of Nutty Russian Strongman

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Vladimir Putin, the once-and-forever ruler of Russia, enjoys his vodka cold, his puppy popularly-named, and his shows of virility barechested. But he’s only too happy to recognize a similar show of masculinity, which is why he decided to give props to Leonardo DiCaprio.

DiCaprio was in St. Petersburg to attend a summit on saving wild tigers, a summit he finally got to after plane trouble grounded his first and second flights. But made it he did, which caught the gimlet eye of Putin, who lauded the Inception star saying, “A person with less stable nerves could have decided against coming, could have read it as a sign - that it was not worth going.” This virile perseverance made DiCaprio a “muzhik” or “real man.”

So, congrats Leo! This practically guarantees him a polonium-210-free stay in beautiful St. Petersburg. Enjoy!

· Vladimir Putin: Leonardo DiCaprio is ‘a real man’ [BBC]

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First Picture From Breaking Dawn Set Reveals True Enemy: Feathers

Director Bill Condon tweeted the first picture from the Breaking Dawn set on Thanksgiving, showing the fan-favorite scene where Bella, consumed with passion for Edward, plucks a chicken to death, her hands evidence of the downy carnage. Please bear in mind, this may be an incorrect interpretation. The feathery scene after the break.[@Twilight]

breaking dawn_tweet_500.jpg

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China Outsourcing 101. Five Basics For Reducing Risk.

The other day we did an extremely long post on the legal issues of outsourcing. ?That post was based on an hour long speech I had just given at an International Association of Outsourcing Professionals meeting, so it was very, very long.?

Since not everyone is going to read such a long post, I figure it a good idea to put out the basics and for that, I am pulling from an old article written by co-blogger Steve Dickinson, entitled, "Outsourcing in China: Five Basics for Reducing Risk." ?Here is that article:

Many small and medium sized companies that engage in outsourcing to China fail to take the steps necessary to?protect themselves. When problems arise, they can do little or nothing to?protect themselves because they have no legal basis for protection. The fact is that in most instances outsourcing disputes must be resolved in China, under the Chinese legal system. The Chinese legal system has improved greatly over the past ten years and taking?a few basic legal steps can greatly reduce your risk. The cost of such?protection is modest compared to the protection it will provide.

The following five basic steps will greatly reduce your problems with the Chinese company you are using for your outsourcing (be that a company a manufacturer or a software coder or whatever), while improving your chances of recovering damages should any?problems arise.

1. Create and properly register your intellectual property rights in?the United States. Before you go to?China, be sure your intellectual property is protected under U.S. law.?Protect your brand identity by creating and registering your trademark,?slogan or logo with the U.S. Patent and Trademark Office. Register your?important copyrights with the U.S. Copyright Office. Carefully identify and?protect your trade secrets, proprietary information and know how. Consider filing for any appropriate patents.

2. Register your trademarks in China. Registration can protect your?future access to the Chinese market, prevent the export of counterfeit goods?from China, and prevent a competitor from registering your mark in China,?which would prohibit you from exporting your own product from China. Consider filing for any appropriate copyrights and/or patents. For more on the necessity of registering your trademarks in China, check out "China Trademarks -- Do You Feel Lucky? Do You?"

3. Use a written agreement to protect your know how and trade secrets?in China. Small and medium companies usually do not have an extensive?portfolio of patents. Their most valuable intangible assets typically are?their know-how and trade secrets, which cannot be protected by formal?registration. Chinese law, however, permits companies to contractually?protect their know how and trade secrets by contract. Such agreements may also address issues such as non-competition and confidentiality. For more on this, check out "Why Non Disclosures (NDAs) Alone Are Not Enough For China" and "Why Non Disclosures (NDAs) Alone Are Not Enough For China, Part II. At Least Make It Enforceable.'

4. Product Quality and Payment Terms. The rule here is simple. If possible, do not?make final payment to your Chinese manufacturer until you are confident you?will be getting an on time shipment of the correct items and quantities at?the quality standards you require. This usually means you must incur?inspection costs in China and provide for a clear procedure?for dealing with these problems as they arise. You must take the lead on?this. You cannot depend on the OEM manufacturer to do this for you. If you are going to pay anything upfront, you need an agreement protecting you.?

5. Use comprehensive OEM Agreements with each manufacturer. Small and?medium sized businesses often enter into OEM manufacturing transactions with?a simple purchase order. This is a mistake. The purchase order will protect?the Chinese manufacturer, not you. Your protection depends on your securing?a written OEM manufacturing agreement with each Chinese manufacturer with?which you deal. The ideal OEM agreement will address all of the issues?discussed above, while also addressing other basic legal issues such as?jurisdiction and dispute resolution. This agreement should be in both Chinese?and English, since the Chinese language version will control in China. For more on this, check out "China OEM Agreements. Ten Things To Consider," "China OEM Agreements. You Are Naked Without A Good Bill Of Materials," "China OEM Agreements. Yet Another Reason To Have One," and "OEM Agreements in China: Why Ours Are In Chinese."

What do you think?

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Dan Aykroyd Confirms Ghostbusters 3 Rumors

Ghostbusters225.jpgSpeaking to WGN Radio Chicago, Dan Aykroyd threw some fuel to the Ghostbusters 3 fires, confirming that not only is the new movie already casting, but there a lot of “strong possiblities” being considered. Along with the return of Sigourney Weaver and Bill Murray, Aykroyd revealed that they’ve also been looking at Bill Hader (great!), Anna Faris (yay!) and Eliza Dushku (must we?). While part of me is buoyed by a return to the Ghostbusters world, the part of me that saw the last Indiana Jones movie is wary of film franchises that return after a long, dormant period. [/Film]

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Friday, November 26, 2010

Suing Chinese Companies. "How Long Has This Been Going On?"

Yesterday, I participated in a phone call with a client and another lawyer in my office, Gerry Davis. We were discussing a worldwide software licensing agreement and I had brought in our best "tech" lawyer to assist. The counter-party had already provided a draft agreement to our client which our client had not yet sent to us. Fairly late in the discussion, I asked what law the agreement was calling for and then noted how that is oftentimes not as important as it is often made out to me. As I put it, as far as I know, in every country in the world, if you clearly say you will do something in a contract that is important to the contract and then you don't, you are liable for breach. I then asked what the contract said about where disputes would be resolved, at which point, Gerry said something about how my expertise is in dispute resolution clauses.

I know it makes me weird, but I kinda like that. ?

In a previous post, entitled, "Arbitration In Your China Contract. Adult Supervision Required," I talked a bit about my obsession with dispute resolution clauses:

With sushi restaurants, it's the yellow fin.

With new houses, it's the windows.

With international contracts, it's the dispute resolution provision.

The "it" I am talking about is the one easiest, fastest, most accurate, way to judge whether something is good or not. And the way I judge international contracts is by heading straight to the dispute resolution provision. The well crafted provision is, above all else unambiguous. If it calls for litigation, it says where it will be and what law will apply. And it says who will pay for it and under what circumstances. If it calls for arbitration, it says where it will be, how many arbitrators will be required, how the arbitrators will be chosen, the language of the proceedings, and the law that will apply. And it says who will pay for what.?

The above are minimums.?

I am heartened to see I am not the only blogger obsessed by these provisions. My friend, Santiago Cueto, of International Business Law Advisor, recently did his own post on international dispute resolution clauses, entitled, "7 Ways to Bulletproof Your International Arbitration Agreement."

My "problem" is that I have had to tell far too many companies (mostly American, with a smattering of European) that even though they have a great case based on the facts, the way their dispute resolution provision has been written will mean that pursuing their case will either be too expensive or too unlikely to succeed in actually collecting on any winnings.?

Hence the obsession.?

My firm is always handling international litigation and international arbitration matters. We are one of the few firms that takes such cases on a contingency fee or mixed fee basis, but we probably immediately turn down nine out of ten such cases referred to us and one of the most common reasons for our rejecting a case is because the dispute resolution provision has made actually collecting money too time consuming or difficult. ?

One of the things we love about pursuing litigation in China is the speed at which those cases usually proceed. We have handled (always using locally licensed Chinese counsel, of course) relatively complicated Chinese cases where we have been able to sue in China and get a judgment within three months. This on cases that would take three years in the United States. ?

I very recently discussed the differences between litigation in China and litigation in the United States in a Wall Street Journal article I wrote, entitled, "Chinese Companies Court Disaster" and in much greater depth in an article for Bloomberg Legal, entitled,?Suing Chinese Companies: The New Wave." [subscription required] For the full Bloomberg article, in serialized form, check out the following:

I am always marveling at how quickly litigation moves in China and I am often tout it as the fastest and best (and many times only) solution for obtaining injunctive relief against a Chinese company. Then again, we had one really big case in China where the judge obviously did not want to rule and for years, he just kept telling my client and the opposing party to settle it. ?

A recent China Blawg Post,?How Long Can a Litigation Proceeding Be in China??does a nice job pointing out how foreign company litigation in China can move really quickly, but definitely does not always. ?

Under China Civil Procedure Law, a domestic case is generally tried and completed within six (6) months for the trial of first instance starting from the date of successful filing of the case with the court, and within three (3) months for the trial of second instance (appellate court). However, for a foreign-related case, the Civil Procedure Law simply provides that such cases are not subject to such time limits as applicable to domestic cases without further prescribing how long such proceedings in respect of such foreign-related cases should be. In practice, such provisions are interpreted as that such lawsuits can be an open-ended proceedings.

Indeed. Very frequently, I am approached by international clients complaining that they get trapped in China courts due to prolonged legal proceedings with no idea when it comes to an end. And there are cases in which I represent foreign parties that have lasted much longer than six (6) months even though the case appeared not difficult. This has led to grievances on the part of foreign parties that often find that institution of a lawsuit in China has added salt to their own injuries.

The post then posits the solution in most situations?to be to "choose arbitration for dispute resolution in lieu of litigation in courts." The post then notes, however, that i"t is not that every foreign-related case has been protracted indefinitely. Courts in those big metropolitan cities in China, such as Shanghai, Beijing, may prove to be quiet efficient in some cases."

And that is the point.

The point is that in writing a contract, one must always think ahead in writing its dispute resolution clause and in each case, focus on what will likely be the best solution for the client. There is no one size fits all.?

I gave a speech the other day to the International Association of Outsourcing Professionals meeting on the legal issues involved in outsourcing to an emerging market country. In that speech, I had this to say about choosing the forum for your disputes:

How about putting in your contract that you can sue your Vietnamese vendor in the United States? You’d get your $3 million from them easy if you could sue here, right? Wrong. If you sue here, you might very well get a U.S. judgment for $3 million, but will you ever collect on it? Vietnam, China, Russia, even Japan: none of those countries will just take a U.S. judgment and turn it into a domestic judgment in those countries such that you will be able to enforce it against your vendor there.?

My firm constantly gets calls from American lawyers wanting to retain us to collect on a U.S. judgments they have received against Chinese or Russian companies. The American lawyers have usually charged their clients a pretty fair sum and they think all that is left for them to do is to take that judgment to a Chinese or Russian court. There, they think, they will get their U.S. judgment automatically converted into a Chinese or a Russian judgment and then they will get their money.

But it doesn’t work that way. Your United States judgment pretty much has zero value in either China or Russia, and in most other places in the world as well.

In fact, Chinese and Russian companies love it when you put a United States litigation requirement in your contract with them because they know that their own courts won’t enforce against them whatever judgment you may get. And even if you later realize that suing in the United States is not the way to go and you choose to sue the Chinese or Russian company in its home country, the court there will almost certainly toss your case out for being in the wrong jurisdiction because you signed a contract agreeing to sue in the United States.

So you have to be very careful not to write a contract that essentially blocks you from ever suing on it. And of course, on the flip side, if you put the United States in your contract as the jurisdiction for disputes, the foreign company can easily sue you right here.

Arbitration is oftentimes your best option and should in many cases go into your contract. Almost every country is a signatory to the New York Convention on Arbitration Awards, which means it will enforce U.S. and other foreign arbitration awards.

But arbitration has its shortcomings and sometimes you are better off putting a foreign court as your venue for resolving disputes. For example, if your biggest fear is your outsourcing company running off with your IP or your trade secrets, the fastest and best way to stop that is usually through the courts in the country in which your outsourcing company is based. Choosing the venue oftentimes comes down to figuring out the worst thing that could happen to you and then choosing the best venue for dealing with that.

You can read that entire speech here.

So what then is the answer as to what your contract with a Chinese company should be saying regarding where to pursue disputes? Chinese courts? The courts in your own country? Arbitration?

It depends....

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Thursday, November 25, 2010

REVIEW: Terrifying, Weird Nutcracker in 3-D Features the Best Effects iMovie Can Buy

Movieline Score: 4.5Leader image for REVIEW: Terrifying, Weird Nutcracker in 3-D Features the Best Effects iMovie Can Buy

Almost two centuries of holiday-friendly goodwill go up in a sun-blotting, smokestack cloud in The Nutcracker in 3-D, the most confounded in the long and miscegenetic line of adaptations of E.T.A. Hoffman’s 1816 story. Gone, too, is the considerable rehabilitative capital vested, by the 2007 film Ratatouille, in one of nature’s more wretched people: the common sewer rat. This stunning one-two clobber by Russian director Andrei Konchalovsky sent me reeling to the far reaches of my seat. I wasn’t alone: During a critical moment in the screening I attended, one girl of about 9 bolted from the front row to find her father, who had chosen to sit at a more adult remove.

The girl was frightened, though I suppose the fact that she dragged her father right back to the front row to hold her hand might mitigate her complaint somewhat. I had to wonder whether it was the champing robot dogs and hideous rat maws that were scaring her, or if she was picking up on what lay behind them. Plenty of children’s stories get good and scary; substantially fewer make blatant and extensive use of Nazi and Holocaust imagery as a means to that end. Konchalovsky borrows liberally — almost perniciously — from intra- and extra-cinematic worlds in this adaptation; at times The Nutcracker itself feels like the least among his influences.

Freud, Einstein, C.S. Lewis, Pinocchio, Toy Story, and the aforementioned Third Reich are all here, an inchoate hash of classical children’s themes and twentieth century flashpoints. The virtuosic extent of Konchalovsky’s inter-mural promiscuity would seem to be confirmed by a climactic scene in which a teardrop proves celestially powerful; despite being shot two years ago, it could have been torn from the finale of this week’s Tangled.

It’s December in 1920s Vienna, and a well to-do family is preparing for Christmas: Children Mary (Elle Fanning) and Max (Aaron Michael Drozin) are sussing out their presents, and father (Geoffrey Rush) and mother (Yulia Visotskaya) are preparing for a night of Viennese society while the nanny (Frances de la Tour) keeps house. Dotty, dear Uncle Albert (Nathan Lane, playing Einstein with a chewy strudel accent) stops by to drop off a present for Mary — an old dollhouse and a nutcracker in the form of a wooden toy soldier. That night Mary’s devotion to her new toy brings it alive; in a less felicitous development, it is gifted with the abrasive screech of Shirley Henderson. The two flirt a bit, which is just weird, and then “NC,” as he prefers to be called, introduces her to the toys downstairs, the snow fairy at the top of the Christmas tree (who looks, true to REM idiosyncrasy, just like her mother, but is not), and his issues with the royal rat family who hijacked his kingdom and turned him into a tchotchke.

It’s during this early scene that things start to bode badly, for Mary and for us, beginning with the visuals. Set to a song sung by the Snow fairy — Tchaikovsky’s beloved suite is patched in here and there, only to wriggle under the poor fit of Tim Rice’s lyrics — Mary finds the courage to fly. The effect is less than breathtaking; she is essentially dancing across a floor that has been iMovie’d out. Now, I don’t consider myself a CGI snob, but when one is watching a movie that insists on putting “3-D” right in the title, and the first big set piece is on a visual par with the work of the “What-What in the Butt” guy, one begins to wonder why funky glasses are required to enhance them further. By the time the song is over, Mary has solved NC’s personality problem by transforming him back to human form (that of actor Charlie Rowe), the director has established his habit of adding action when in doubt, whether he is sure of how to direct it or not, and the script (written by Chris Solimine) has put the viewer on notice: Dodgy gambits ahead.

“She must be prepared for the real world!” Mary’s father exclaims, tired of coddling his space cadet daughter and waking up to things like an inexplicably totaled Christmas tree. At the heart of the Nutcracker story is the idea that dreams — waking and otherwise — are a forum for experimentation, growth, and confrontation; to the extent that they prepare a self for the “real” world, they are the real world. Children might know that most intuitively, but certainly any enraptured movie audience knows it very well.

The suggestion of Mary’s experience traveling to NC’s kingdom to battle the Rat King (John Turturro in a Warhol wig, rat snout, and full set of coke nails) and Queen (de la Tour, perfectly repulsive) and their genocide against toys as a child’s psychic nightmare of the coming war is not risible in itself. But Konchalovsky lacks both a plan and a gift for metaphor. The result is a supposedly demented king with no juicy pathology and therefore no traceable motivation, plus the baffling and then appalling presence of torture, goose-steppers in Nazi dress, and smoking crematoria. Somewhere in there is a little blonde girl and her dreamy princeling, but damned if I could see them through the dreck.

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Disney's 50 Animated Films: From Snow White to Tangled

· Here’s a bountiful reel of pre-Thanksgiving warmth: Ahead of Tangled’s release, Disney has compiled short clips from all 49 of its previous animated films and set it to the music of Brandi Carlile. It’s cute — except for when you realize how much money you and your family have given to Disney since 1937. [YouTube]

· Here’s your first X-Factor promo. I’m trembling a little. [EW]

· Actress-songwriter Bird York, who wrote the Oscar-nominated song “In the Deep” from Crash, is writing a drama pilot for Fox called In Deep. [Deadline]

· It’s time to accept that Tom Felton might be the coolest Harry Potter cast member. His appearance on Attack of the Show proves it. [ONTD]

· Officially, Dancing with the Stars’s finale was up 23% from last season’s. Jennifer Grey didn’t even have to flash her cha-cha-chas. [Deadline]

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Erin Andrews on the Dancing with the Stars Finale: 'That Must've Been Some Major Drugs She Was On!"

erinandrews_500.jpgSigh. All great things must come to an end: Here’s our last Dancing with the Stars interview with Erin Andrews, the ESPN commentator and steadfast Kyle Massey defender. Following last night’s redemptive finale, Erin and I discussed the judges’ weird scoring, Jennifer Grey’s pain tolerance, and the best moments of the season. Oh, and the winner.

So, Erin, you watched the finale. How was your viewing experience? Thrilling? Surprising?
You know, it was different being on this end of it this season. I felt being involved it with was very emotional. I know how emotional I was in the end, and not because I placed third. I knew that was going to happen. I think it was because the journey had come to and I was tired, exhausted, and so thankful for my time with Maks [Chmerkovskiy]. Very emotional. I just remember watching Evan [Lysacek] and Nicole [Scherzinger] — because the way they did the finale last night was different than ours. They booted me and Maks right away after our first dance and then it was basically the Evan-and-Nicole competition. It was interesting the way they did it last night because it was the three of them all night. Now, I was curious if that was the format before Bristol was in third place to kind of keep her involved in the whole thing towards the end. Like, my year? We were booted right away. But this year all three of them [stayed in] for all two hours. So it was kind of interesting. I kind of thought it was a very long finale. Did you?

Christina Aguilera performed almost seven times, it seemed like.
[Laughs]. I mean, I understood. I loved seeing everybody come back and dance, the skits, and everything. It was just being different on this side as opposed to last season.

Did you think Bristol stood a shot of winning throughout the episode?
I didn’t know because of the way it had gone all season. It was so unpredictable. The only thing I thought that was very telling was just how far apart the scores were. Jennifer had really separated herself and I was just thinking to myself, I remember sitting in the audience after I got the boot last year — I remember Evan was probably five points away from Nicole, and I was sitting next to Cheryl [Burke] and she was like, “It’s too much. He’s not going to be able to make it up; Nicole’s going to win.” I remember looking at Kyle and Bristol’s scores and thinking, “It’s too much of a lead. I don’t think Kyle’s going to win and I don’t think Bristol’s popularity votes will matter.” But then I kept saying to myself, “It can’t be this predictable, right? It can’t be this predictable. Something’s going to happen.” So I wasn’t surprised Bristol got there. In all honesty, of all the dancers left, I think third was the best spot for her. I don’t think she danced better than Kyle or Jennifer, but I congratulate her and think third place was a huge accomplishment for her.

Watching Kyle’s freestyle, I thought, “This is something Erin will love.”
I loved it. I just really love his personality and was cheering for him. The one thing I will say about Kyle in the finale — I don’t agree with his scores. I don’t think he was scored correctly at all. I thought a lot of the stuff he did in the finale was right up there with Jennifer. I do agree with Jennifer’s scores though; I thought hers were perfect. But I don’t think he was scored high enough. That bothered me.

I thought the scoring was downright mysterious. Bristol was scoring straight 9s again? What?
Oh, her freestyle? She got better scores on her freestyle than I did. I said, “Wow. That’s amazing.” It’s very interesting. I would love to know from the judges where they were coming from with the scoring. Even last night, the dances they did — Kyle got an 8 from Len, and Bristol got a 9 from Len. I was just curious where he was coming from. But that’s part of the whole thing; the [producers] don’t hold the judges accountable. They don’t need to explain their scores. I just don’t think Kyle was scored high enough.

There was plenty of ridiculousness in the finale. Any particularly cuckoo moments you liked most?
I thought the finalists didn’t have any ridiculous moments, but I thought the skits were hysterical. I thought the David Hasselhoff thing was great. Nothing else struck me as, “Oh my gosh, this is ridiculous.” I did love the part — once I figured it out — the watermelon thing with Jennifer Grey. I thought it was perfect. “I carried a watermelon.” That came up again and again in my mind. I loved that Kyle and Lacey did the Tootsie Roll. It was phenomenal. He’s so stinkin’ cute. I think if anything, I’m bummed out. I mean, I’m happy with Jennifer winning, and I thought she was phenomenal — particularly for someone who ruptured her disc? That must’ve been some major drugs she was on. My dad has two herniated discs in his back, and he said, “Ruptured discs? How do you even walk right now?” I give her kudos for everything she put her body through. I just don’t think the scoring difference between her and Kyle should’ve been as great as it was. But I don’t mean to take the mirror ball trophy away from her — she was phenomenal.

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The Chinese Dream And The Rise of China's Middle Class.

This review was written by Miriam Roth, who recently joined our?international law firm as a legal assistant/paralegal. Miriam graduated this year with a degree in English Literature from the University of Maryland. ?When not working with us, she is an assistant editor at PIF Magazine.

By Miriam Roth

In her newly published book, The Chinese Dream, Helen Wang explores the rise of China’s new middle class: an up-and-coming force that is growing and changing at an unprecedented rate, and also opening a Pandora’s Box of social, political, and environmental issues. As this powerful demographic continues to grow, Chinese ideas and values are becoming increasingly important on a global scale. But to many Westerners, especially those who fear Chinese competition, those ideas can seem strange or threatening.

Taking this reality into account, Wang argues that “oneness” -- understanding and collaboration between East and West -- can and should happen. And the key to this “oneness,” she suggests, might well lie in the very differences that have alienated us in the past.

Having grown up in China and lived most of her adult life in the U.S., Wang speaks from a uniquely informed perspective. Not only is she fluent in both English and Mandarin, but she also clearly understands the subtleties of each nation’s attitudes and values. The Chinese Dream shows the depth of her knowledge in these areas.

But besides her professional expertise, Wang is a talented storyteller with a knack for turning the abstract into the tangible. A truly enjoyable read, the book brings foreign concepts to life through a blend of facts, reflections, and personal experiences.

Wang manages to make sense out of modern-day China’s most baffling paradoxes. Especially interesting is her discussion of the ways in which communist and capitalist values coexist within a single nation -- even within individual minds. Interviewees like Wu Haitao, a Party member who plays the American stock market, show a culture that, Wang explains, is full of ambiguity. One cannot read this book without putting at least a dent in the idea of a stereotypical Chinese.

The Chinese Dream looks at the tensions that trouble China and its relationship with the world: the tensions between old and new, collectivism and individualism, growth and preservation, East and West. Wang understands that though these issues are not going to disappear and may be handled badly, she nonetheless presents a hopeful picture of the future.

?

Wang’s call for unity never suggests that total agreement can or should be possible. Instead, she argues that ideological struggle is necessary for positive change. She explains how, like Yin and Yang, conflicting countries and ideologies can interact to form a more balanced whole. The U.S. and China, for instance, can capitalize on their different economic policies to counteract their respective trends of overconsumption and over-saving. In this and other ways, the two countries can benefit from one another, not despite, but because of their differences.

The Chinese Dream describes countless possibilities for shared growth, on both national and international levels. For those looking to gain a deeper understanding of modern Chinese society, and those looking to prepare for a new age of globalized collaboration, Helen Wang’s The Chinese Dream is an exciting and timely resource.

?

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Wednesday, November 24, 2010

Gift Guide: Wake Up With Darth Vader

Leader image for Gift Guide: Wake Up With Darth Vader

gg_vader_clock_225.jpgFrom Movieline’s 2010 Holiday Gift Guide:

The ultimate gift for the Star Wars junkie in your life, or even better, the perfect gag gift for that special person who hates the George Lucas franchise. Either way this would be a worthy addition to any dorm room nightstand (especially if placed next to that hamburger phone).

In addition to AM/FM capabilities, this kitschy item boasts auxiliary input capabilities so that your iPod, mp3 and CD player are compatible with the dark side. Bonus: Darth Vader Alarm owners have the option of waking up to this haunting sound bite each morning: “Luke… I am your wake-up call.”

$42 @ Urban Outfitters

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China: Where Only The Good (And Bad) Die Young.

Apologies for the Billy Joel.

Just read an interesting, disquieting, yet not terribly surprising article on China's life expectancy. The article is entitled, "In China, Uneven Progress on Health Front," and its focus is on how?since 1990, China has had less of an increase in life expectancy than just about "every other big developing country" and even less than Bangladesh, Pakistan, South Korea and Sudan: ?

From 1990 to 2008, life expectancy in China rose 5.1 years, to 73.1, according to a World Bank compilation of United Nations data. Nearly every other big developing country, be it Brazil, Egypt, Ethiopia, India, Indonesia or Iran, had a bigger increase over that span, despite much slower economic growth. Since 2000, most of Western Europe, Australia and Israel, all of which started with higher life expectancy, have also outpaced China.

Though China has grown wealthier over the last thirty years, it has not grown healthier;?

China can sometimes look like the economy of the future, having grown stunningly fast for almost 30 years now, lifting hundreds of millions of people out of poverty. But it, too, has real problems. Above all, its growth has been uneven. The coast has benefited much more than the interior. Almost everywhere, some aspects of life have improved much more than others.

Whether China can switch to a more balanced form of growth, as its leaders have vowed, will obviously have a big effect on the rest of the global economy. Yet it’s worth remembering that the biggest impact will be on the one-sixth of the world’s population who live in China. And arguably the best example is the fact that the country has grown vastly wealthier but only modestly healthier.

Though "many more people in China today "have acquired indoor plumbing, heating, air-conditioning or other basics. Other aspects of the boom, however, have pushed in the opposite direction":?

As in the Industrial Revolution, many people have left the countryside and poured into crowded cities. Accidents have become common, like the Shanghai fire last week or a series of workplace tragedies in recent months. Obesity is rising. Pollution is terrible.

I recently spent some time in China, and despite everything I’d heard in advance about the pollution, I was still taken aback. The tops of skyscrapers in Beijing can be hard to see from the street. Breathing the smog can feel like having a permanent low-grade sinus infection. For the Chinese, cancer has displaced strokes as the leading cause of death, partly because of pollution, notes Yang Lu of the Keck School of Medicine at the University of Southern California.

Every month or so I speak with someone who lived in China for many years and loved it, but left when their kid was born because they worried about the impact pollution would have on their kid's health. I also not infrequently speak with clients whose top people in China are insisting they be transferred back to the United States or to Europe because they are suffering health problems from the pollution.

According to the United Nations, life expectancy in China is behind that of Sri Lanka, Tunisia, and Uruguay, among others, and it is currently five years behind that of the United States. Will China ever catch up with the United States on this? ?What do you think??

?

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Whoopi Goldberg and Bill O'Reilly Discuss View Walkout on O'Reilly Factor

· Whoopi Goldberg visited The O’Reilly Factor to discuss his guest-stint on The View a few weeks back — the one that resulted in Goldberg and Joy Behar walking off the show. The appearance airs tonight on Fox, but you can preview it here. [Deadline]

· Look, insanity: Grey’s Anatomy will have a musical episode. [EW]

· Look, actual insanity: An Ugly Betty actor has been charged with murdering his mother using a samurai sword. [People]

· Randy Quaid says Canada saved his life. Strange. [THR]

· Lastly, stock up on your Eat, Pray, Love bingo cards! It’s a stocking stuffer for the trite romantic in your household. [Jezebel]

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21 Questions Ahead of the Midnight Screenings of Burlesque

cherburlesque225.jpgI’ll be there. You’ll be there. The glitter-caked hopes of a generation will be there. A drag queen with a “Half-Breed” outfit will be there. But most of all, utter skepticism will be there. I’m talking about tonight’s midnight Burlesque premiere, which will raise the stakes on burlesque-themed cinema for weeks to come. To prepare ourselves for the gala at hand, let’s line up the 21 biggest questions that need to be answered by tomorrow morning — when the magic, rouge, and absinthe have faded.

1.) Will Christina be going for Dreamgirls Oscar angst? If so, will her Razzie nomination ruin her?

2.) Is this movie “drag” fabulous, “camp” fabulous, or “ghetto” fabulous? Or regular “ghetto”?

3.) Is there a song in the movie that does not feature the word “burlesque”?

4.) How much of director Steve Antin’s sister Robin, the Pussycat Doll organizer/wrangler, will sneak into my good time?

5.) Does Burlesque star Cher, Christina Aguilera, and Stanley Tucci? Or does it star Meryl Streep as Cher, Christina Aguilera, and Stanley Tucci?

6.) How many times will Cam Gigandet refer to Christina Aguilera’s Iowa-born character as “Iowa”?

7.) Does Burlesque understand that any semblance of a real plot will be insulting to me?

8.) Will Stanley Tucci “out-Cher” Cher?

9.) Is Kristen Bell cleared for working it?

10.) Is it only right if I arrive in a hazmat suit (a la Silkwood) and cry “Karen got cooked!” every time Cher acts a little radioactive?

11.) Does director Steve Antin know that it is often time for Christina to stop talking?

12.) Will Alan Cumming, who plays “the gender-bending host,” ever actually say the word “cabaret”? If he does, can I crawl under my seat, through a hatch, and out of the theater?

13.) Are Cher’s magician jacket and leotard proportionate?

14.) Is this movie going to pretend to understand Los Angeles, in that whimsy-tinged (500) Days of Summer way? Come now.

15.) Will Burlesque patronize us with heterosexuality?

16.) How often are audience members allowed to stand up and politely state, “I am having a great time.”

17.) Which actors will succumb to Cher’s influence and adopt her glamorous Yogi Bear patois when speaking to her?

18.) How will this movie affect the white community?

19.) I will be 40% drunk for this showing. Common sense indicates I should aim for 300%. Am I forgetting to live my best life now?

20.) Can this movie end any other way than with Cher breaking a fountain over Christina’s face — before they both trip and fall into another, larger fountain? On a stage? Inside another fountain?

21.) Can we just call it Masque?

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Tuesday, November 23, 2010

Black Swan Music Video Reaches Out to Fans of Horror, Clubbing

Leader image for Black Swan Music Video Reaches Out to Fans of Horror, Clubbing

This new music video for Black Swan makes you suspect that Fox Searchlight is still nervous about the “ballet-is-for-old-rich-people” stigma. It seemed like the positive buzz, the great first trailer and news of a lesbian kiss would be enough, but they really pulled out the stops here. For horror and suspense junkies, the abrupt, strobe-edited interludes feature violence, psychosis and the some of the creepiest imagery in an American trailer. Ah, and then for cosmopolitan 18-24 demographic, the other half of the video takes place in a hip dance club with plenty of sensual embraces. Plus, for the old rich people, there’s ballet. Black Swan: Finally a movie for everyone.

Otherwise, the video does a great job showcasing the eclectic soundtrack to the movie, which features Clint Mansell’s score mashed together with electronic acts like The Chemical Brothers and Al Tourettes. Be warned though, it does seem a bit spoiler-heavy, especially the final shot.

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Toy Story Characters Will Return For New Adventures

toystory3_225.jpgIf you thought Toy Story 3 seemed like a touching, pitch-perfect conclusion to the adventures of Woody, Buzz and the gang - Too bad! The characters will be coming back to theaters for more action, only this time in a series of shorts. The first one will play in front of this summer’s feature-length toy advertisement Cars 2.

To be fair, a series of shorts doesn’t seem to be the best way to make an easy cash-grab, so maybe we can look forward to quality shorts that don’t betray the well-loved final film. Director Lee Unkrich told The Telegraph that there are currently no plans to make another feature length film. So maybe think twice about skipping Cars 2 this summer. Or wait for the inevitable DVD with all of the collected shorts.

[The Telegraph]

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Horror Film Set Prompts Police Investigation

new_terminal_hotel_225.jpgAfter responding to a fire at the George Washington Hotel in Pittsburgh, firefighters stumbled upon a blood-splattered hotel room littered with liquor bottles and even a piece of a scalp. Police Chief J.R. Blyth, who was brought in to investigate, called the discovery “the most grisly murder scene in his 35 years in law enforcement.” Only, the blood wasn’t real. It was actually the leftover set of a horror movie that was filmed two years ago with Corey Haim.

The direct-to-video horror film called New Terminal Hotel shot a scene in the hotel and the apparently very accommodating property owner left the set untouched in case the crew had to come back for re-shoots. Although, based on his laughter in the news report, it seems more likely that he just thought the room looked cool.

The police chief called in detectives for 8 hours of overtime before discovering that it wasn’t actually a murder scene. It seems like the heavy smell of corn syrup that would permeate the room after two years would have been a tip-off. Apparently though, twelve people have died in the George Washington Hotel since 1923 and it has a reputation for being haunted, so maybe the room made more sense as an actual murder scene.

[ABC via Bloody Disgusting]

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Be Sure Regarding China's Sinosure.

Many Chinese companies that provide credit to foreign businesses do so because their invoices are insured by Sinosure. ?Sinosure is a massive China-based export and credit insurance company.

Foreign companies sometimes face Sinosure when they have failed to pay their Chinese supplier for product. When that happens, Sinosure usually steps in and threatens to sue. ??

We have worked with a number of companies in dealing with Sinosure and those experiences, coupled with numerous consultations with Chinese lawyers who know and understand Sinosure, have convinced us that the following is typically true:

  1. ?Sinosure is not unreasonable. If you are not paying your Chinese supplier because your supplier gave you bad product, Sinosure will "listen."
  2. If you are not paying your Chinese supplier because you are having cash flow problems, Sinosure will not listen.
  3. If you are not paying your Chinese supplier because you are a deadbeat, Sinosure definitely will not listen.
  4. If you are not paying your Chinese supplier because your Chinese supplier gave you bad product, you should do whatever you can to provide Sinosure with documentary proof of the bad product and documentary proof of the damages you have incurred due to the bad product.

What have your experiences been with Sinosure?

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Monday, November 22, 2010

Mia Michaels Out As Judge On So You Think You Can Dance. Thank God.

Leader image for Mia Michaels Out As Judge On So You Think You Can Dance. Thank God.

It’s not just American Idol that’s been shaking up the judges’ panel. On Nigel Lythgoe’s other Fox reality show, So You Think You Can Dance, they’ve been hitting puree on the panel for a few seasons now. First they installed director/Miley Cyrus sex device Adam Shankman in the third judges’ chair that had previously been free-floating. Then they booted shrieking Mary Murphy for choreographer Michaels. But now, according to E!, Michaels is dunzo and Murphy is returning, and in my opinion, that’s a good thing.

I can understand the impulse that led to giving Murphy the boot and welcoming Michaels onto the dais. Murphy had gotten a little rote with her shrieks and her various trains and tickets and whatnot, and Michaels is brilliant choreographer with two Emmys to her name and a terrific style that was readily accessible to the general public while still being edgy. But as a judge, Mia Michaels was a hot buttered mess.

Far too often, when asked to judge a dance, she could only call it either “genius” or offer some vague critique, saying it needed more “uumph” or “skkkrrunchh” or whatever nutty piece of onomatopoeia that caught her attention that day. But far worse was her tendency to go after a dancer personally, far beyond any type of professional dance critique. The apotheosis of this was when, in the most recent season, she told dancer Melinda that the judges had sent home the wrong person last week, and it should have been Melinda that went home. That wasn’t constructive, informative or educational; it was just straight-up bitchy. And while I won’t go so far as to call her a racist, Michaels appears to have a continual problem with otherwise innocuous black male dancers whom she declares to have “an attitude,” like Season 3 Danny, Season 5 Brandon, or Season 7 AdeChike.

Sadly, Michaels is leaving not just the judges’ panel but the show in general, which means no more wonderful pieces like “The Bench” and “Running” with Adele. But if that means I don’t have to listen to any more venomous barbed asides masquerading as helpful instructions, then I’m all for it. Hey, we still have Wade Robson!

· SYTYCD Judge: Why I’m Leaving the Show [E!]

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